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Ghayath Almadhoun
Footwork is “a body of work that sings on its own
however unlikely—River Phoenix
transformational
as well as a selection of posthumously published verse
Awaiting The Book of a Thousand Eyes Ghayath AlmadhounCharisse Pearlina Weston Part autobiography, part play, part fictive dream as long poem, Awaiting begins by detaching phrases and motifs from two seemingly disparate plays (Lorraine Hansberrys What Use are Flowers? and Samuel Becketts Waiting for Godot) and entangling them into centos or poetic remixes. Through the incorporation of these entanglements, original poetry, and a surreal landscape, what develops is a new work blurring the sightlines of
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