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c’est pour ne pas empiéter sur la surprise de la découverte
Woman (1971)
I seek that ʼin‑betweenʼ experience with surreal momentum that escapes the static reproduction of reality
Cet ouvrage bilingue (français-anglais) est consacré à une technique de reliure esthétique
and that's not something you can put away
Pogo passion c’est pour ne pas empiéterIn Pogo, Viridiana Morandini gathers photographs made between 2009 and 2024 into a sequence that follows feeling rather than chronology, letting everyday scenes, landscapes, and relationships speak as vessels of time. The book unfolds in shifts and murmurs, moving from sudden accelerations to moments of stillness, where the most ordinary gesture can turn into a metaphor for holding on to what inevitably escapes.
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